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No sketches of Antiope are known, but Watteau had already produced a great number of female nudes and studies which he could draw on for this painting. Download. Her beauty attracted Zeus, who, assuming the form of a satyr, took her by force. Jupiter and Antiope is an oil painting by the French artist Antoine Watteau. See today's best stories and collections about #PabloPicasso on Flipboard. This item is restricted to only allow viewing of the metadata. Jupiter and Antiope In Greek mythology, Antiope was the name of the daughter of the Boeotian river god Asopus, according to Homer; in later sources she is called the daughter of the "nocturnal" king Nycteus of Thebes or, in the Cypria, of Lycurgus, but for Homer her site is … Two copies by an unknown artist are preserved in the Louvre in the Service d’Etudes et de Documentation. With the help of X ray imaging cracked areas were restored, particularly in the sky and around the edges. Intended to be placed over a doorway, today it hangs in the Louvrein Paris. Ernest Laurent copied the image as a grisaille and a free modern interpretation was made by Claude Schurr in 1966. The satyr, whose head is crowned with grape vines symbolising the presence of the god Bacchus. The painting comes out of the story of the seduction of Antiope by the god Zeus in Greek mythology, later imported into Roman mythology and told of the god Jupiter. Further investigations revealed that Antiope originally wore a cloth of modesty which was later removed. It was bought by Louis La Caze who died the very next year, leaving it to the Louvre. She was the mother of Amphion and Zethus. They are also strong, muscular, and tanned. Jupiter and Antiope (French: Jupiter et Antiope) is an oil painting by the French artist Antoine Watteau. With or without painting frame. Probably Watteau painted the image as a commission for the merchant Pierre Crozat, for whom he also produced the series of Seasons painted at the same time. Oil on canvas. High-quality museum quality from Austrian manufactory. Thus nymphs and satyrs present an optical contrast, which could hardly be any stronger and which makes them a perfect pair for artistic purposes.[1]. This frankly sensual work depicts the god Jupiter, disguised as a satyr, seducing the beautiful Antiope.She is asleep, sprawled amid luxurious cushions as the lecherous god creeps silently towards her bed. Models for the painting of Jupiter and Antiope included the paintings of the same name by Antonio da Correggio and Titian as well as the Descent from the Cross of the Dutch painter Anthonis van Dyck, from which the arrangement of the satyr's arms is taken. Amphion became a great singer and musician, Zethus a hunter and herdsman. Antiope, in Greek legend, the mother, by the god Zeus, of the twins Amphion and Zethus. The painting still hangs there today.[5]. Jupiter and Antiope (French: Jupiter et Antiope) is an oil painting by the French artist Antoine Watteau. View Description. (#820916) Stretched on canvas or printed as photo. According to this myth, Antiope, the beautiful daughter of King Nycteus of Thebes, was surprised and seduced by Zeus in the form of a satyr. The ground continues above the trees into the background, where there is a hill with lone houses. La Fosse encouraged Watteau who had not practiced history painting hitherto to take on the work of the allegories of the Seasons, since he himself was not in the neighbourhood anymore. This arm covers the right breast, while the left remains free. While the nymph was the source of the psychological term nymphomania (now hypersexuality), the satyr was the source of the once common but now outdated term satyriasis and can be understood as the nymph's male equivalent. The French painter Lucien Lévy-Dhurmer painted an invented View of Watteau's Studio in 1890, in which the Jupiter and Antiope features as one of the paintings on the walls. She lies with her head on the left edge of the painting, twisted so that her front side faces the viewer. This is claimed in an exhibition catalogue from Vienna in 1966 and remains the most widely accepted theory in art history to this day, but it still cannot be proven. The same image has been used on all versions of the cover except the American paperback edition (where it was prohibited to depict a women's nipple), thus the book has made Watteau's Antiope famous worldwide. Here, Zeus lifts the sheets to uncover the body of the sleeping Antiope. Ably assisted by his two brothers, Pluto (who Jupiter put in charge of the underworld) and Neptune (who Jupiter put in charge of the seas), Jupiter ruled the heavens, the earth, and all life. In the art historical literature, the assumption that the painting was created as a commission for the banker Pierre Crozat under the instruction of Watteau's teacher Charles de La Fosse around the time of the creation of the four Seasons prevails. It is also known as the Satyr and the Sleeping Nymph and was probably painted between 1714 and 1719. Download this stock image: Venus and Cupid with a Satyr ( Jupiter and Antiope ) 1524 by Italian artist Antonio Allegri - CORREGGIO 1528 ( CORREGE ) - 2BN4AR9 from Alamy's library of millions of high resolution stock photos, illustrations and vectors. In their 1929 book Jean de Juliennes et les graveurs de Watteau au XVIIIe siècle E. Hérold and A. Vuaflart suggest that Jupiter and Antiope could have been one of these two paintings and develop a theory that de Ligne ordered the painting in 1714 during a trip to Paris and returned to collect the painting and pay for it three years later. When he began painting around 1600, Hendrik Goltzius was already the most famous engraver in the Netherlands and perhaps all of Europe. A drawing of the painting by Gabriel de Saint-Aubin also existed which is today on display in the Art Institute of Chicago. A later addition and removal is also possible. Amphion and Zethus, in Greek mythology, the twin sons of Zeus by Antiope. In addition there is a clear aesthetic contrast between the two stereotypes. The nymph is in general very beautiful and physically perfect. His body is shadowy and cannot be made out below his hips. Jupiter and Antiope (Pardo Venus) 1535-40, reworked c. 1560 Oil on canvas, 196 x 385 cm Musée du Louvre, Paris: In 1574, Titian described this painting in a letter to the secretary of Philip II as being "the naked woman with the landscape and satyr". Mar 13, 2014 - Jupiter and Antiope Hendrick Goltzius 1616 Louvre, Paris Intended to be placed over a doorway, today it hangs in the Louvre in Paris. Under the sleeping woman there is a cloth, which hangs over the abyss near her breast, disappears under her arm near her head and is lifted by the satyr behind her. One day she perceived that it suddenly grew dark, and immediately suspected that her husband had raised a cloud to hide some… The old theory that the final private owner, Louis La Caze had made alterations to the painting can also now be considered disproven. Zeus disguised himself as a Satyr to approach her. In the 18th century, Correggio’s painting was thought to portray Jupiter … The painting is oval shaped, with a width of 107.5 cm and a height of 73 cm. Jupiter Discover the legends and myths and religious beliefs surrounding Jupiter, the Roman god of the Skies and King of the Gods, who was also known as Jove. Finally, an image now lost showed the whole image and was used by the engraver Anne-Claude-Philippe, Comte de Caylus as model for a copper engraving which was first published by Jules de Jullienne. In Greek mythology, Antiope was the name of the daughter of the Boeotian river god Asopus, according to Homer; in later sources she is called the daughter of the "nocturnal" king Nycteus of Thebes or, in the Cypria, of Lycurgus, but for Homer her site is purely Boeotian. According to this myth, Antiope, the beautiful daughter of King Nycteus of Thebes, was surprised and seduced by Zeus in the form of a satyr. Jupiter was the son of Saturn and Ops (or Opis) who were both from the race of Titans. The stories, myths and legends surrounding these romantic liaisons and the mythology of his other lovers are detailed below. Jupiter and Antiope, 1659 (etching with burin & drypoint) by Rembrandt van Rijn as fine art print. According to one account, her beauty attracted Zeus, who, assuming the form of a satyr, took her by force. Hercules and the Hydra and Hercules and Anteo, Antonio del Pollaiolo, ... Jupiter and Antiope, Rembrandt van Rijn, 1659, From the collection of: The Museum of Fine Arts, Houston. Jupiter did not love his wife very much, and Juno distrusted her husband, and was always accusing him of unfaithfulness. In the foreground it depicts the naked, sleeping Antiope. Whether the cloth and its subsequent removal were painted by Watteau himself is not clear. Accordingly, both nymphs and satyrs are very regularly depicted in mythology - and thence also in their subsequent artistic reception - in erotic contexts and are accordingly favoured topics of art. Jupiter and Antiope by Antoine Watteau. [6] He based his depiction not on the painting itself, but like most of his engravings on a drawing by Watteau which is now lost. Thus nymphs and satyrs present an optical contrast, which could hardly be any stronger and which makes them a perfect pair for artistic purposes. The subject of Jupiter and Antiope, which derives from a Roman myth describing the seduction of a beautiful sleeping girl by Jupiter in the form of a satyr, was very popular in the history of art before the seventeenth century. Of course these two young men were the sons of Antiope, and although recognition between mother and children had not yet occurred, all was soon revealed, for the … Norton classification; Myths; First Myth; Pre-Olympian (see also Pergamon Museum Germany); Zeus; Hera; Ares; Hephaestus; Poseidon; Athena; Aphrodite Myths in paintings. In 1864 the Baron James Mayer de Rothschild bought the painting and then put it up for auction again in March 1868 through the art-dealer Bourlon de Sarty. Dirce happened to sport Antiope, and commanded two nearby men to seize Antiope and tie her to a bull. In Greek mythology, Antiope was the daughter of the Boeotian river god Asopus, according to Homer; in later sources she is called the daughter of the "nocturnal" king Nycteus of Thebes or, in the Cypria, of Lycurgus, but for Homer her site is purely Boeotian. Another painting in which the painting appears as part of the composition is the Salle La Caze painted by Édouard Vuillard in 1922. This room and the two preceding ones originally formed a single space, which was then split up by the architect Antonio Asprucci (1723-1808) to make it symmetrical with the other wing of the villa. Jupiter and Antiope. How the painting came into the possession of Paturae is no longer clear either, but he probably bought it from Price Paul d'Arenberg privately. Her legs are bent up towards the viewer, with the right continuing the line of her body at the knee while her left leg is only slightly bent to point back to the lower right of the painting. Jun 3, 2013 - Jupiter and Antiope. Ancient Myth, Jupiter, Juno, and Little Io Jupiter was the king of all the gods. The satyr is depicted in brown tones. On the other hand, the satyrs, who are the followers of Bacchus, are very ugly, with the horns, legs and sometimes the tail of a goat. lies in the opposite direction behind the woman, with the front of his body also facing the viewer. Jupiter and Antiope 1715-16 Oil on canvas, 73 x 107 cm (oval) Musée du Louvre, Paris: This painting, also known as Nymph and Satyr, is one of the most sensual works by Watteau. [1], https://en.wikipedia.org/w/index.php?title=Jupiter_and_Antiope&oldid=854813235, Creative Commons Attribution-ShareAlike License, This page was last edited on 13 August 2018, at 23:51. They are based on the story of the seduction of Antiope by the god Zeus in Greek mythology , later imported into Roman mythology and told of the god Jupiter . It is also known as the Satyr and the Sleeping Nymphand was probably painted between 1714 and 1719. The previously mentioned copper engraving of the Comte de Caylus was created in the lifetime of Watteau and was included in Jean de Jullienne's collection Figures de différents caractères. In addition there is a clear aesthetic contrast between the two stereotypes. They were mostly depicted with ivory, light and very delicate colours and an idealised female form, having close similarities with depictions of Venus. Correggio, Jupiter and Antiope (with Eros), c.1528 Jupiter and Antiope is a frequent theme in western painting and has been treated by Titian , Van Dyck , Watteau and David among others. In 1857 the painting appeared at the auction of the collection of Theodore Patureau in a catalogue in which it was listed as a former possession of Prince Paul d'Arenberg. While the nymph was the source of the psychological term nymphomania (now hypersexuality), the satyr was the source of the once common but now outdated term satyriasis and can be understood as the nymph's male equivalent. Nov 2, 2018 - An Artist in the Louvre with Correggio’s Jupiter and Antiope (1908). Read more about the symbolism and interpretation of Jupiter and Antiope by Anthony Van Dyck. When children, they were left to die on Mount Cithaeron but were found and brought up by a shepherd. Jupiter and Juno, although husband and wife, did not live together very happily. [2] This statue is placed directly above a gallantly dressed man seen only from behind (Hagestolz) who considers the scenery as part of a group of men in the foreground (Watteau also painted a similar group of people in the Rural Pleasure of 1720, in that case standing under a statue of Venus). Watteau returned to the theme of the sleeping nymph in his 1719 painting The Elysian Fields, a scene of the gardens of the Champs-Élysées in Paris. The circumstances of the painting's creation are not entirely clear (see below). Jupiter and Antiope(French: Jupiter et Antiope) is an oil painting by the French artist Antoine Watteau. It is also known as the Satyr and the Sleeping Nymph and was probably painted between 1714 and 1719. High-quality museum quality from Austrian manufactory. Pregnant, she escaped the threats of her father by running away and marrying Epopeus, king of Sicyon; she was later brought back and imprisoned by her uncle Lycus. File:Hendrick Goltzius - Jupiter en Antiope.jpg For the treatment of Dirce, it is said, Dionysus , to whose worship she had been devoted, visited Antiope with madness, which caused her to wander restlessly all over Greece [8] until she was cured, and married by Phocus of Tithorca, on Mount Parnassus , where both were buried in one grave. Satyrs and nymphs form two extremes in Greek mythology, which are united only by their instinctive natures. At first he painted a number of historical images in the classical format, following Italian and Netherlandish classics, after which he next created Jupiter and Antiope, the seasons and three further seasons in the oval format: another Autumn, Venus Disarming Amor and the Morning Toilette. small (250x250 max) medium (500x500 max) Large. We produce your artwork exactly like you wish. With his head and upper body, the satyr looms over the hips of the sleeper in order to gaze upon her - he licks his lips lustfully. They are based on the story of the seduction of Antiope by the god Zeus in Greek mythology, later imported into Roman mythology and told of the god Jupiter. The nymph is in general very beautiful and physically perfect. The conservation status of the painting is relatively poor. 1780. His suntanned skin and muscular body forms a clear contrast with the softly worked, shapely Antiope. Her right arm is bent under her head while her left arm hangs down into the abyss in front of her. 11 sept. 2013 - Anthony Van Dyck Jupiter and Antiope, , , Museum voor Schone Kunsten, Ghent. The subject is taken from Greek mythology (Ovid, Metamorphoses). Jupiter and Antiope, the Larger Plate Rembrandt van Rijn Jupiter and Antiope, the Larger Plate Public Domain. They were mostly depicted with ivory, light and very delicate colours and an idealised female form, having close similarities with depictions of Venus. We produce your artwork exactly like you wish. Accordingly, both nymphs and satyrs are very regularly depicted in mythology - and thence also in their subsequent artistic reception - in erotic contexts and are accordingly favoured topics of art. The Lovers of Zeus who were seduced by his powers of transformation included his seduction of Leda in the form of a swan, his seduction of Europa in the form of a bull and his seduction of Antiope as a satyr. Spatial depth is created by the stooped posture of Jupiter and by the bent knees of Antiope. The Seasons seem to have been designed as oval paintings with mythological scenes intended to decorate Crozat's dining room. The history of the painting after its creation is not yet completely clear and in particular its location before 1857 remains an open question. Stretched on canvas or printed as photo. With or without painting frame. Louis Béroud (French, 1852-1930). According to Börsch-Supan, the Hagestolz represents the natural counterpoint to the lustful satyr - he observes the figure on the pedestal with particular interest.[3]. In July 1971 Paraguay produced a postage stamp with the motif of the sleeping nymph. The composition fits the oval shape of the image. Expand Favorite. (#636463) The information in this article derives mostly from the works cited in the bibliography below, but the following sources were also used: Mythological background and reception in art, Provenance per Graselli and Rosenberg 1985, Last edited on 19 November 2020, at 12:45, https://en.wikipedia.org/w/index.php?title=Jupiter_and_Antiope_(Watteau)&oldid=989516364, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 November 2020, at 12:45. Intended to be placed over a doorway, today it hangs in the Louvre in Paris. In parallel with this series, Watteau produced a range of other paintings, which dealt with the theme of the mythological nude in this same oval format which was at that time unusual. Antiope was the daughter of King Nycteus of Thebes and her beauty was the stuff of legends. His left arm is bent on a tree root at the right edge of the image and props up his upper body. She became pregnant and bore the twins Amphion and Zethus, who later killed Nycteus' brother Lycus in revenge for his treatment of Antiope and took over the city of Thebes. Jupiter and Antiope by Nicolas Poussin as fine art print. The X-ray imagery and especially Watteau's sketches and the copper engraving of Watteau's contemporary the Comte de Caylus confirm that the satyr was painted by Watteau, which was once controversial. While it is true that according to myth Jupiter, greatest of all the gods, seduced Antiope in the form of a satyr, it is never stated that the latter was sleeping when discovered. Satyrs and nymphs form two extremes in Greek mythology, which are united only by their instinctive natures. One of the challenges of being a writer is devising an original story. Patrick Süskind's novel Perfume published by Diogenes Verlag since 1985 has a detail from Jupiter and Antiope on the cover with the armpit of the naked sleeper in the centre. Jupiter and Antiope. The whole body is painted in pale, warm colours and lights up the otherwise dark and earthy image. She became pregnant and bore the twins Amphion and Zethus, who later killed Nycteus' brother Lycus in revenge for his treatment of Antiope and took over the city of Thebes. (In Euripides’ lost Antiope the two young men Famous paintings on the theme of mythology for eTwinning project LOOK AT A MYTH. Jupiter and Antiope is a frequent theme in western painting and has been treated by Titian, Van Dyck, Watteau and David among others. Location: Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany. Extra Large. The novel was an international best seller, translated into 49 languages, with over 20 million copies sold. On either side, gnarled roots grow in the soil, which rise into indistinct trees. Watteau maintained a friendly relationship with the ancestors of the prince in the early eighteenth century and a receipt of 14 May 1717 signed by Watteau records that he had sold two paintings to Léopold Philippe d'Arenberg. The arms of the satyr and the legs of the woman curve in parallel with the upper edge of the painting - in this way the two central characters repeat the oval within the image, which is broken only by dangling left arm of the woman. Antiope was … It is also known as the Satyr and the Sleeping Nymph and was probably painted between 1714 and 1719. Oct 26, 2015 - Jupiter and Antiope by Annibale Carracci (1560-1609, Italy) | Museum Art Reproductions Annibale Carracci | WahooArt.com large ( > 500x500) Full Resolution. [4] Today this theory is largely rejected. The lower edge of the image is taken up by an abyss, which is depicted in dark brown tones and is edged with bare soil. This might symbolise the novel's central theme of fragrant seduction. The sleeping Antiope forms the central horizontal, with her hips and bent legs creating the central vertical. Intended to be placed over a doorway, today it hangs in the Louvre in Paris. Above that is the cloudy sky, discreetly lit by the glow of twilight. Here he depicted a stone copy of Antiope wearing a crown as a monument on the pedestal at the right hand side of the painting, as a kind of "living sculpture" which is typical of Watteau. Benigne Gagneraux. During his preparation for the Jupiter and Antiope, at least three sketches were created by Watteau, in which he attempted to work the satyr out. After its creation Jupiter and Antiope was repeatedly copied and reworked. Jupiter and Antiope is the most powerfully erotic etching of his late period. They are also strong, muscular, and tanned. With his left arm he lifts the cloth to the height of Antiope's shoulder and it is obvious that he has just uncovered the sleeping maiden. Explore Rembrandt, Art, Japan and more. These include a drawing of the satyr in standing position and one in the reclining pose which he finally selected. On the other hand, the satyrs, who are the followers of Bacchus, are very ugly, with the horns, legs and sometimes the tail of a goat. And in particular its location before 1857 remains an open question with a width 107.5. Translated into 49 languages, with a width of 107.5 cm and height! Burin & drypoint ) by Rembrandt Van Rijn Jupiter and Antiope, the Larger Plate Rembrandt Van Rijn Jupiter Antiope... Who died the very next year, leaving it to the painting its., of the image and props up his upper body and Ops ( or Opis who! [ 4 ] today this theory is largely rejected, Jupiter, Juno, although and. Clear and in particular its location before 1857 remains an open question not love wife! 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